Post Op Group News
Specialists in every aspect of Sound and Vision Post Production.
Post Op Group employment opportunity
Junior support engineer
We are one of the largest independent post production houses in
Australia working on shows such as My Kitchen Rules, Border
Security, Come Dine With Me, Biggest Loser and Masterchef.
We are now looking to recruit a junior support engineer to join our industry respected team to help support all aspects of our state-of-the-art Post Facilities.
Responsibilities include:
• Engineering support touching all areas of Post Production,
including fault-finding in both traditional post-production and
network environments.
• Working with tapeless, file based, archive, network& cloud
technologies.
• Supporting members of the Engineering team on projects of any
scale.
• Routine maintenance of existing equipment.
Essential requirements/skills:
To succeed in this role, you'll need:
• A strong background in IT and networking, graduate level or
higher,
• A desire to learn about Post production,
• A passion for the latest technology,
• Knowledge of formats & workflows,
• Good technical fault finding and lateral thinking skills, and
• The ability to work under pressure on projects in and out of
house.
And knowledge of any or all of the following will be helpful:
• Avid ACSR qualification
• Networking
Finally, you must thrive working under pressure in a fluid &
dynamic environment.
A competitive package of salary and benefits is available for
the right person.
Contact Operations manager Daniel Gilliland
Our latest Resolve colour grade
Directors: Brecon Littleford & Nathan Drabsch
Production Co: The DMCI
DOP: Jan Reichle
Agency: Red Jelly
Colourist: Danny Scotting
For colour grading information contact
Nokia N9 4x15sec TVC’s
Director: Matt Bird
Production Company: Adfarm Australia
DOP: Paul Howard
Agency: 9MM Commercials
Colourist: Danny Scotting
Click here to view
Director: Matt Bird
Production Company: Adfarm Australia
DOP: Paul Howard
Agency: 9MM Commercials
Colourist: Danny Scotting
Click here to view
Director: Matt Bird
Production Company: Adfarm Australia
DOP: Paul Howard
Agency: 9MM Commercials
Colourist: Danny Scotting
Click here to view
Director: Matt Bird
Production Company: Adfarm Australia
DOP: Paul Howard
Agency: 9MM Commercials
Colourist: Danny Scotting
Click here to view
For colour grading information contact
Our latest Resolve colour grade
Director: Cameron Jurd
Production Company: Adfarm Australia
Agency: Adfarm Australia
Colourist: Danny Scotting
For colour grading information contact
Our latest grade goes Viral for DVV Insurance.
DVV Insurance
Lorin Askill from Collider directed and edited the latest
online tvc for DVV Insurance.
It was shot on the latest Phantom camera with DOP Stephan
Duscio, producer Rachel Ford-Davies and post producer Kate
Stenhouse via Agency Happiness, Brussels.
Go to our grading section/recent work, to see the ad in
full or...
Click here
For colour grading information contact
Breaking News
Post Op Group First in Australia to install Sony’s ground breaking OLED technology.
"We're really happy for Post Op to have taken delivery of our first
OLED monitor in Australia - the flagship, reference grade BVM-E250.
OLED displays are the next level of technology in professional
monitoring, providing unparalleled picture accuracy - far better
than anything achievable in LCD and even surpassing the much loved
CRT technology.
By being the first to purchase BVM-E, Post Op has shown a dedication
to providing their clients the best technology available to produce
the best final product. Sony is extremely proud of the
commercialisation of the technology and foresees the future of
professional monitoring lies completely with this highly accurate
technology."
Alex Lofts, Product Manager - Monitors, Professional Solutions
Division, Sony ANZ
Employment Opportunities
Post Op Group are seeking applications from:
1. Senior broadcast/technical support engineers
2. Freelance on-line editors
Contact:
Operations Manager Daniel Gilliland DanG@postopgroup.com.au
Casual Edit Assistant
Duties include:
Casual Edit Assistant required for afternoon/evening shifts & occasional weekend work.
Digitising, Online Uprezing, Tape Operation – including clones, and DVD dubs. Equipment routinely used: Avid; multiple types of decks, recorders and duplicators, etc.
Experience necessary to execute the job:
Thorough previous on-the-job training and experience as an Edit
Assistant. Experience with AVID equipment is essential. An eye for
detail and aptitude to fulfil the role. Preferred background: tape
operating / edit assisting. Knowledge of /experience on various VTR
decks will be advantageous.
contact facilities at
facilities@postopgroup.com.au
Recent Work
Friday 08/07/2011, Another TWO tvc grades go to air.
Toyota Corolla
Product: Toyota Corolla
Director: Matt Bird
Production Company: 9mm
Agency: Adfarm
"We recently graded our Toyota Corolla TVC using Post Op's
Resolve suite with colourist Danny Scotting at the helm. The
experience was a real pleasure; the pictures looked stunning
and the client feedback we've received has been
overwhelmingly positive."
Matt Bird, Director.
French Food Safari Ep 3 Opener
Product: French Food Safari Ep 3 opener
Director: Toufic Charabati
Production Company: Kismet Productions
We have recently completed French Food Safari Series for
Director and Executive Producer Toufic Charabati from Kismet
Productions.
Toufic hired the Sony 900 HDCam camera from our partner VA Hire and shot in various locations throughout France and Australia with the ever lovely presenter Mauve O’Mara.
Senior Colourist Danny Scotting and Sound Engineers Serge Lacroix, Laki Fotopoulos and Renee Endycott found working on this series a mouth-watering experience.
The 9 episode Series airs Thursday nights 7.30pm on SBS and it’s not to be missed.
22/06/2011, Another tvc grade goES to air.
Metlink tvc
Senior Colourist Danny Scotting found the images for
Metlink’s latest campaign for Fare Compliance ‘Scribble’ a
pleasure to grade on Da Vinci Resolve.
It was shot on the Arri Alexa and the quality was simply
stunning.
Congratulations to -
Director: Joel Pront
Producer: Rachel Ford- Davies
VFX Producer: Kate Stenhouse
Dop: Danny Ruhlmann
Agency: Marmalade Melbourne
Creative Director: Neil Mallet
Creative: Frank Trobbiani
Producer: Beaver’
Go to our grading section/recent work, to see the ad in
full or...
Click here
For colour grading information contact
Rebrand
We are very excited to reveal our new website and
brand identity to the industry
We firmly believe that our
whole is stronger than our individual parts, and we have a unique
opportunity to help our customers achieve greater success through
operational efficiencies in the one company.
Historically, our group of companies has been a family of separate businesses servicing specific segments of our industry – The Sergery (Audio), Babylonia (Vision), Klinik (Graphics/Design) and Northern Cross Communications (Hire). As part of a strategic transformation that began last year, the Post Op Group’s new brand strategy communicates the “bringing together” of these businesses and strengthens the company’s position to capitalise on its diverse capabilities in a truly integrated way.
At the heart of Post Op Group’s brand strategy is a new logo composed of simple geometric shapes derived from key values we feel strongly about. These values include Quality, Service, Passion and Integrity. The new logo forms a visual connection to our multi-faceted, multi-dimensional business model, signaling a unification of the company's core offerings. Our new identity is one of the powerful ways we are communicating the evolution of our business.
Resolve Grading
Post Op Group installs new Resolve Grading Suite
We are proud to announce the launch of our new grading suite
using the world’s most advanced colour correction system, DaVinci
Resolve.
Thanks to our latest
technology from DaVinci, we can now offer the power of real-time
grading in SD, HD and 2K. Unlimited windows and layers mean creative
heaven - so get ready to be inspired by new, exciting ways to bring
your pictures to life!
TVCs and longform solutions can be tailor-made for any production budget. From the latest digital cameras including the ARRI Alexa to final real-time grade our group’s and partners’ combined knowledge, experience and superior service, promises the sky as the limit.
Our first TVC grade has gone to air for Codral and we have been overwhelmed by the amount of enquiries as a result. We are feeling the positive impact only word of mouth brings.
A big ‘thank you’ to the team at Collider and agency JWT Sydney. You made our first TVC grade fun and your positive feedback is greatly appreciated.
CREDITS:
Director: Joel Pront.
Producer: Rachel Ford-Davies
VFX Producer: Pat Dedal/Kate Stenhouse
Copywriter: Sinead Roarty
Art Director: Michael Malherbe
ECD: Angus Hennah & Mark Harricks
Head Of TV: Damien Whitney
Account Director: Charlotte Bisland
Client Services Director: Rob Nichol.
Go to our grading section/recent work, to see the ad in
full or...
Click here
Post Op Group invests in Sony SRW-5800 HDCam SR Deck technology
As the perfect accompaniment to our DaVinci Resolve Grading Suite
and Dolby E encoding, the Sony SRW-5800 provides another vital link
in the chain to Post Op Group’s high end work flow for TVCs and
features.
Its capabilities include: HDCAM-SR Format Recording, Creating Visually lossless images, 1080 Recording and Playback, 720P Recording and Playback, 4:2:2/1080/60P and 50P Mode, 4:4:4 High Quality (HQ) Mode, Internal Format Conversion, 4K/2K to HD Resizing and 4K/2K Uncompressed DPX Data Recording.
Post Op Group adds Dolby E DP571 Encoder and DP572 Decoder to audio mastering capabilities
Developed by Dolby Laboratories, Dolby E allows up to 8 channels of
audio plus Dolby Digital metadata to be compressed into a digital
stream that can be stored on a standard stereo pair of digital audio
tracks.
Dolby® E eases the transition from two-channel to multichannel audio
for DTV broadcasters and program producers.
The encoded program material can be decoded for use in broadcast and
post production facilities prior to final DTV and HDTV transmission.
Dolby E is a standard deliverable specification for most
international distributors.